The Magyar collection, influenced by my Hungarian origins, starts from the abyss of a tiny flower placed in the center of each side of the helmet or painted accessory (geometric process requiring a continuous perspective effect on a single object). The flower pattern is positioned smaller in its larger double and has itself a smaller replica, and so on, until it creates infinite distortion and a concentric optical effect that goes as far as covering the entire helmet. For this collection, I like to combine 2 colors of Posca more or less contrasted depending on the result I want to obtain. I also enjoy playing the tone on tone to give a more discreet appearance and bring some relief to the pattern.